Monday, 25 March 2013

The Animal Doctor - Part Two


Royal Veterinary College NW1 0TU (Present day taken from Google Streetview)
Page viii (Drawn by Sheppard 1956)
 
The 'action' in this story (Animal Doctor by Laurence Maynell) begins at the Royal Veterinary College in Camden Town. The building illustrated by Raymond Sheppard is still used today by the College and "is also home to the London Bioscience and Innovation Centre (LBIC)". As their site states:
The foundation of The Veterinary College, London, in 1791 marked the establishment of the veterinary profession in this country. The development of the profession can be traced to that single act  [...] The Veterinary College, London, was born in the parish of St Pancras in 1791, on the present-day site of The Royal Veterinary College's Camden Town Campus. On 4 January 1792, the first four students attended the College to begin a three-year course intended to cover all aspects of the veterinary art. As funds became available the College developed, with facilities that provided a clear benefit to subscribers, such as stabling and an infirmary, taking precedence over a lecture theatre and dissecting rooms.

 Once can see, comparing the 1956 drawing to the current photo that the side archway and railings are still there, and as one would expect road markings and traffic have increased. The entrance as illustrated  by Sheppard hasn't change much either

Taken from Google Streetview


Page 10

To be continued...Part Three


Monday, 18 March 2013

The Animal Doctor - Part One


Cover

Page vi


The Animal Doctor by Laurence Meynell was illustrated by Raymond Sheppard and is one in a series called "Oxford Career Books". The series included the following titles spread over two decades as far as I can trace:
  1. STUDENTS AT QUEEN’S by John Stuart Arey, 1944
  2. THE FIRST TRIPPER by Peter Dawlish, 1947 (Illustrated by P. A. Jobson and the topic was the Merchant Navy) - more on Dawlish and Raymond Sheppard another day 
  3. THE YOUNG SCHOOLMASTER by Aubrey de Selincourt, 1948 (illustrated by F.W. Middlehurst)
  4. THE MONDAY STORY by James Leasor, 1951 (Illustrated by Evadné Rowan).
  5. POLICEMAN IN THE FAMILY by Laurence Walter Meynell, 1953 (illustrated by Neville Dear)
  6. AN ACTOR’S LIFE FOR ME by Roland Pertwee, 1953 (Illustrated by T. R. Freeman)
  7. HOTEL DOORWAY by Lorna Lewis, 1953 (Illustrated by Charlotte Hough) 
  8. THE ANIMAL DOCTOR by Laurence Meynell, 1956 (illustrated by Raymond Sheppard)
  9. THE YOUNG ARCHITECT by Laurence Walter Meynell, 1958
The blurb states "Each book combines a first-rate story with authentic details about a particular career." and 'story' should be taken literally. Meynell had many pseudonyms and wrote as a man and a woman! He was born in 1899 and died in 1989 and is most well known for his thrillers and some of his books were made into films. His fascinating story can be read online  so there's no point in me re-telling it. His bibliography can been seen together with a photo here, and Steve Holland has a small gallery of Meynell's thriller covers. His obituary appeared in the Times of Tuesday 18 April 1989. He appeared to be a tidy man even in death leaving £286,286 in his will!

The Times 18 April 1989
Raymond Sheppard's illustrations for the Animal Doctor show his flare and talent for depicting animals - he was a natural choice.

Page 1 Boy with cat


Page 8 Owl

Page 18 Young man talks to RVC porter

Page 22 Bear on chain


Page 40 Goat


Page 41 Cats in a frame


Page 55 hamster (?) eating carrots



To be continued...Part Two

Monday, 11 March 2013

The Favourite Wonder Book

The Favourite Wonder Book published by Odham Press was reprinted many times to my knowledge and later reprints had their reprint dates on the title page but unfortunately that was unusual. The British Library have a copy with an accession date of 1938. I own two copies which are exact reprints - one with no date and the other exact copy but for the cover with the date "Reprinted 1946"

Raymond Sheppard illustrated a short poem called Little Trotty Wagtail by John Clare (the poet born in 1793). It's a humorous poem with staccato sounds mirroring the nervous bird's actions. It's unusual for Sheppard to do this sort of caricatured face on a bird but he was only 25 years of age, if we take the British Library's date.

Favourite Wonder Book Page 183


Little trotty wagtail he went in the rain,
And twittering, tottering sideways he ne'er got straight again,
He stooped to get a worm, and looked up to get a fly,
And then he flew away ere his feathers they were dry.

Little trotty wagtail, he waddled in the mud,
And left his little footmarks, trample where he would.
He waddled in the water-pudge, and waggle went his tail,
And chirrupt up his wings to dry upon the garden rail.

Little trotty wagtail, you nimble all about,
And in the dimpling water-pudge you waddle in and out;
Your home is nigh at hand, and in the warm pig-sty,
So, little Master Wagtail, I'll bid you a good-bye. 


For researchers here are the two contents pages for the book. It can be easily bought on eBay, Abebooks etc and has wonderful colour and black and white illustrations. I have seen copies for sale that are blue, brown, black and burgundy, but also a printed colour illustrative dustjacket and the book with endpapers (which my two do not have). Another example of how hard it is to trace and catalogue these Odham and Blackie & Sons titles!






Monday, 4 March 2013

British Fresh and Salt Water Fish - Updated

British Fresh Water Fishes Plate 1

 

UPDATED ARTICLE: January 2024

Originally I had only seen the four colour plates shown below and had no real clue where they were published. 

I can now reveal they appeared in at least two editions of "Newnes Pictorial Knowledge" Volume 8 and appeared in the section titled 'The Angler's Art' as a special colour supplement between pages 256-258 with pages unnumbered. [In another edition the four plates appear in the same article (with replacement photos but same text) between pages 264-265]. 

The other illustrations seem to be drawn by "Cowell" and later Ernest Aris drew some colour plates of butterflies in this volume. The other fish topic comes under Pets and features tropical fish but this is not drawn by Sheppard and is not signed.

I suspect the earlier edition has the following credits:

  • GENERAL EDITOR: R. D. Poole and Peter Finch
  • ASSOCIATE EDITOR: Enid Blyton
  • TECHNICAL: EDITOR: I. Molloy
  • ART EDITOR: A. H. J. Humphreys

The excellent Enid Blyton Society website states the first edition was 1930 and the publisher,  The Home Library Book Company, which I think is a Newnes' imprint. Another note in the Blyton forum mentions Blyton "is credited as Associate Editor, and her husband (at the time) H A Pollock as General Editor. The edition is the 1934 reprint of the Second Edition (of 1933)".

I have also seen a version with these credits - and it's this one in which Sheppard's plates appear between pages 264-265:

  • GENERAL EDITOR: Peter Finch
  • ASSOCIATE EDITORS: R. H. Poole, Walter Shepherd, Cedric Dover

The 1949 edition index is shown here - using one of the fish drawn on the colour plate below:

This shows we have the correct book - but how early did this appear? Time might tell! The title was still being used in the 1960s as an advert in Children's Newspaper shows 

So as usual with these sorts of titles, their publication is convoluted for the collector!

Thanks to Anybook.com who helped me eliminate results (the 1945 edition "Unfortunately, none of these images appear in this particular volume") but especially to Val Robinson who remembered where the plates appeared which led to a more focussed search.

The reason Val got in touch was the production of tea towels of these four plates. Christine Sheppard was happy to give permission for their reproduction. Val stated:

I do have have some printed if you know of anyone who wishes to purchase them They cost £10 each plus postage and I am happy for anyone to contact me.
Take care and Best Regards.
Val [valli.robinson@btopenworld.com]





 These tea towels look great!

~Norman 2024


++++++++++++++++++++++++++++++++++++++

ORIGINAL ARTICLE

The following colour plates are taken from a book. I'm guessing they were in an encyclopaedia, and I would love to know if anyone knows which book they appeared in. 

If you enlarge the plates the only clue I can see is "N.P.K. VIII p.256" (and 257)". Knowing books of this era (pre-1958) the initials might stand for something like "New Pictorial Knowledge"...but that title was published in the 1970s.There is a mention of the fact that these paintings are "Specially painted for this work" on the colour plates

Fresh Water Fish 1
Fresh Water 1
1= Pike, 2= Perch, 3= Carp, 4= Trout, 5= Roach, 6= Salmon

Fresh Water Fish 2
Fresh Water 2
7= Stickleback, 8=Minnow, 9=Grayling, 10= Char, 11= Barbel, 12= Loach, 13= Miller's Thumb or Bullhead

Fresh Water 3

Fresh Water3
14= Gudgeon, 15= Tench, 16= Bream, 17= Dace, 18= Chub,


Salt Water Fish 1

Salt Water 1
19= Large Spotted Dogfish , 20= Red Mullet, 21= Mackerel, 22= John Dory, 23= Plaice,
24= Conger Eel



Friday, 22 February 2013

Beyond the Timberland Trail

The dustjacket for Beyond the Timberland Trail states:

Beyond the Timberland Trail marks a new phase in the work of this animal story writer. Leaving the English scene for the Barrens of North-West Canada, he tells the story of three generations of wolves. It was Olee Perrault, the trapper, who first expressed the opinion that the wolves "Grey Shadow", "Keewaydin", and "Dark Starlight", had dog blood in their veins. How right he was in his assertion became only too clear in the light of subsequent events: The struggle of the wolves against the blood of Klaus, the Shepherd dog, their hazardous adventures against famine, blizzard and the wiles of man, makes a gripping story,  heightened by the dramatic austerity of the Northland. How the blood of Klaus triumphs in the end over three generations of wolves, brings to a satisfactory conclusion a story written in prose so striking that it makes the reading of the book a refreshing experience for young and old alike. Splendidly illustrated by Raymond Sheppard.

Cover

Jospeh E(ugene) Chipperfield, (1951). Beyond the Timberland Trail A Hutchinson Junior Novel. London: Hutchinson. The American edition published in 1953 by Longmans, Green and Co. was illustrated by Zhenya Gay. According to Jane Badger Books, Chipperfield was born in Cornwall on 20 April 1912 and died on 3 Jan 1976 and wrote many animal (horse and dogs) books.

Frontispiece
The Frontispiece is taken from the cover and shows three Eskimos (Inuits) herding reindeer down a snowy gap and one man points to the pack of wolves behind the herd

Opposite page 30 (Grey Shadow section)
One wolf pins another to the snowy ground whilst the pack look on


Opposite page 140 (Keewaydin section)
Defending his cub, Keewaydin attacks a lynx,whilst Rhuroo the Golden Eagle flies in

Opposite page 164 (Dark Starlight section)
Five wolves attack the three oxen in the snow

Sheppard's strengths in animal painting and drawing are shown off well in these pieces and the colour is vibrant. The compositions are full of action with the eye being drawn in circular motions back into the pictures. Note also how Sheppard has drawn outlines in some parts and not in others. He uses the colour differences to work as contrast between two 'lines' rather than label the point of difference between two contrasting sections.  

Friday, 15 February 2013

The Modern World Book of Animals

The latest item added to my collection is thanks to one of my beautiful daughters who knows her Dad loves a second-hand bookshop. My wife is also very forbearing, she usually finds something of interest and settles to perusing it while I flick very quickly through pages and pages of old children's books.

Cover by unknown artist
The Modern World: Book of animals edited by John R. Gilbert [1950] Sampson, Low, Marston & Co. Ltd. dating the book is difficult, but C. L. Doughty has signed a picture of a camel caravan in the Sahara '1949' and the British Library catalogue record has [1950] which is usually arrived by the date of accession.

Raymond Sheppard's single piece appears opposite page 16 with the caption "No cat and dog fights seem likely here. A sunny day, a shimmering lake – and an enjoyable time is clearly guaranteed for all"

Click to enlarge

A girl, boy and their pets are playing near a lake. It shows a girl in a pink dress raising her arm to throw a stick for a Jack Russell. The boy wearing a schoolcap is holding the leash of a border collie. A cat is pawing the girl's leg

The book is part of  series of "Modern World" books and other artists I can identify in this copy are Harold Tamblyn-Watts,  and 'Hofton'. Most of the book is made up of photographs

Friday, 8 February 2013

Nature through the seasons in colour

Odhams and Blackie and Sons have given me a lot of trouble in searching for Raymond Sheppard's artwork. Both publishers reprinted materials frequently and in one instance I have found three versions of the same contents with three different titles!

The British Library has three entries for "Nature through the seasons in colour" one dated 1953, one guessed at as 1953 - (normally taken from the accession date) and the last is unknown. In the book Odhams have stated their copyright as T.453.S in their mysterious notation system. Could this be 1953? If so, why do the British Library have three editions? They normally do not take reprints. 
Flyleaf from Nature through the seasons in colour

On the flyleaf in the dustjacket, it states the plates include such notable artists as [...] and includes Raymond Sheppard FRZA, RI. As I stated in a recent article (Illustrators # 2) Sheppard's post-nominals were:
Raymond Sheppard Fellow of Zoological Society (F.Z.S, 1946); Society of Graphic Artists (S.G.A, 1947); Pastel Society (P.S., 1948); Royal Institute of Painters in Watercolours (R.I, 1949). 
I suspect the Odhams editor didn't try too hard to get this right and it should read FZS. If Sheppard joined the Royal Institute of Painters in Watercolours in 1949, 1953 is a best guess for the date of publication. Anyone know any different, please contact me.



Title page

Plate facing Page 65

This colour plate opposite Page 65 shows "Wild animals with their young" including "Badger at sett with young, Hare with leverets in the “form”, Fallow deer (buck, hind and fawn), Stoat family on the move, Hedgehog and young, Fox (vixen with cubs), Otter (? with cubs), Squirrel with young at drey. The caption by the otters is impossible to read in the original! 


Plate facing Page 168

The colour plate opposite page 168 shows "How animals employ protective coloration" - "Stoat or ermine (winter dress), Blue or mountain hare (winter dress), Red deer (fawns), Bittern, Hen pheasant, and Nightjar