Monday, 12 October 2015

Raymond Sheppard and Round Tower Churches - Haddiscoe


Haddiscoe Church from Beccles Road [65+ years ago!]

Close but impossible to replicate!

I am lucky to be able to visit other libraries (we Librarians love comparing notes!) and a couple of years ago I visited the Norwich Cathedral Library and just by chance saw a note which said four one day tours were being organised by Jack Sterry, around the "Round tower churches in Mid Norfolk, North Norfolk and Suffolk". It was the first time I heard the expression 'round tower churches'. I remember that Raymond Sheppard had drawn a few in the area and filed that away to do further research.

Haddiscoe Church from Loddon Road
Haddiscoe Church from Loddon Road

In August this year my wife and I took a holiday in Wroxham on the Norfolk Broads. On our way there we decided to do some exploring. Christine Sheppard, (Raymond Sheppard's daughter) had kindly shared some of her father's church paintings and having never heard of round tower churches, let alone seen one, I was very curious and thankfully so was my ever patient wife!

We travelled through Essex, Suffolk and across the border into Norfolk, and found the first Haddiscoe, St. Mary  The tower is 52 feet tall and appears to be a Norman tower done in a Saxon manner. The three 'string courses' are very rare in round towers and the stone apparently comes from Caen in France thus adding to the reason it's thought to be Norman. We arrived on a very hot day and walked around the graveyard and found it 'unkempt'. But we soon realised that this was in order to encourage wildlife.

Haddiscoe Church (south side porch)
Now I'm not a fanatic but I wanted to replicate Raymond Sheppard's positions when he drew and painted the churches he visited, but there's a problem. We think he drew these pictures in the early 1950s and that's <gulp> 60 years ago! Nature loves to take over places and man tries to subdue it. The two pictures above show my problem, but even allowing for movable topography I think Sheppard took some artistic license. Anyway, here goes....

The first drawing above is impossible to replicate today due to a lot of undergrowth, and I suspect the road that Sheppard used is too busy to try and the view is obscured. The second one shown above is a bit easier - but still not quite right.

Haddiscoe Church from the East
The nearest I could get to the east!

The last picture Christine Sheppard kindly shared was a pencil drawing of a window which I think I have captured here

Haddiscoe Church window sketch
Window with a visitor who didn't want to leave!

Outside Haddiscoe Church - window on left

In our next enthralling episode....Herringfleet

Tuesday, 28 July 2015

Raymond Sheppard and Silent Hunter

The Silent Hunter dustjacket

Raymond Sheppard's artwork in "The Silent Hunter" is very robust and well-executed. The first edition, published in 1939 (when Sheppard was only 26 years of age but drawing prolifically - especially for Blackie and Son) had a nice dustjacket (see above).  I love the 'cameo' effect of incomplete borders in this artwork which emphasise the big aspect of the subjects, take for example the frontispiece of a lynx sitting on a mountain rock. A drawing of a more proud animal in its natural element would be hard to find, but Sheppard convinces through his talent with line, shading and composition.

In the Science Fiction and Fantasy Literature Vol 1 (by R. Reginald (Author), Douglas Menville (Editor), Mary A. Burgess (Editor. Borgo Press, 2010) we find a notation for Philip Briggs who wrote Escape from Gravity and The Silent Planet science-fiction novels. This 'male' author also wrote several adventure books (listed at the bottom of this article).



Interestingly the entry states 'his' name is the pseudonym of Phylllis Briggs (not to be confused with the lady -1908-2008- who inspired Tenko the TV series!). I don't know where they got this information but assuming it's correct, Phyllis wrote The Silent Hunter which Raymond Sheppard illustrated.

Engraved cover of "The Silent Hunter"
This comes from the frontispiece

Frontispiece (for p.170)
"She sat for a long time with a far-away look in her eyes"
The lynx sits proud on a rock

p25: Nearer he came, his eyes now slowly closing as he felt the waves of heat
The lynx cowers towards a log fire

p35: The hare fell like a stone
The lynx catches a hare in snow

p61: Babel broke out
The lynx leaps at chickens on a shelf

p87: Then began a wild flurry
The lynx captures a goose

p109: The cat was much nearer
A boy astride a branch cowers
as a lynx approaches from a higher branch
p.119 A fine haddock
The lynx approaches a net under which is a fish

p.149 The man staggered back
Two men fight in the guard's van -
the lynx is in a cage

p.161 She leaped out in one superb arc
A boy frees a caged lynx
p.175 A great wolfish brute had led his pack
A pack of hounds follow a wolf-like dog in the snow

p.181 He called up his ruffians, never far away
A wolf howls in a snowy landscape

p.189 A warning whine woke in her throat
One lynx cowers while another approaches

p.201 “Get back in there and stay there!”
A woman with a scarf raises a hand
with a rock in it to a lynx that begins to exit a cave

p.209 The fight surged down the hill
Various dogs fight each other; 
in the background men with guns attack dogs

p.219 Out stumbled the single kitten
The lynx carries a rabbit to a kitten


Phyllis Midwood Briggs, (1904-1981) was an author of children’s fiction from the 1930s to 1960s. She was born 18 April 1904 to Harold Midwood Briggs (born 25 May 1868, a retired Worsted Spinners Manager) and Alice M Briggs (born 12 May 1873) and had a sister Nancy A Briggs two years her senior and Greta G Briggs three years her junior. The dustjacket for the only book of Briggs' I own states: "The author who knows [Sweden] its wildlife, and its people very well indeed". Beyond this I can't find anything about Phyllis Briggs. The 1939 Registration shows her (aged 35) living with siblings and parents at 22 Vicarage gardens, Clacton-on-Sea. She is listed as an "Author of short stories" (and interestingly her younger sister as a "Poet"). She died in Clacton-on-Sea on 11 June 1981 (mentioned in the London Gazette) and from the fact she is in the Gazette at all means she either had no living immediate relatives and / or she left behind some wealth, I guess. Probate records show she left £28,017, a substantial amount and died at the same address as mentioned! I think the story she is best remembered for is "Son of Black Beauty" but I love this particular book. 

PHYLLIS BRIGGS BIBLIOGRAPHY

Brer Rabbit Stories. Retold by Phyllis Briggs from the original stories by Joel Chandler Harris, Illustrated by G. Higham.
London : Juvenile Productions, [1952]

The Cat of Pine Ridge Illustrated by C. Gifford Ambler.
London : Hutchinson's Books for Young People, [1944]

Horses and ponies of the world picture-stamp book Illustrated by Nat Long.
Paulton ; London : Purnell, [1966]

The Keeper of the Lake.
London ; Redhill : Lutterworth Press, 1945.

King Arthur and the Knights of the Round Table. Retold by Phyllis Briggs.
London : Thames Publishing Co., [1954]

More Brer Rabbit Stories. Based on the original stories by Joel Chandler Harris,. Retold by Phyllis Briggs. Illustrated by G. Higham.
London : Juvenile Productions, [1953]

More Stories of Pickles the Pony Illustrated by G. Higham.
London : Juvenile Productions, [1959]

Ocean Redhead.
London : Lutterworth Press, 1949.

Pickles the Pony Illustrated by G. Higham.
London : Juvenile Productions, [1959]

The Secret Garden Illustrated by J. E. McConnell.
London : Thames Publishing Co., [1951]

The Silent Hunter Illustrated by Raymond Sheppard.
London ; Glasgow : Blackie & Son, 1939.

Son of Black Beauty.
London : Thames Publishing Co., [1952]

Tales of Brer Rabbit. Told by Phyllis Briggs from the original stories by Joel Chandler Harris, Illustrated by E. H. Davie.
London : Juvenile Productions, [1955]

Wolf of the North. [A tale.]
London : A. & C. Black, 1937.

As Philip Briggs:

Coast Waters.
Philip Briggs
London : Lutterworth Press, 1949.

Escape from Gravity
Philip Briggs
London : Lutterworth Press, 1955.

Man of Antarctica. The story of Captain Scott.
Philip Briggs
London : Lutterworth Press, 1959.

North with the Pintail.
Philip Briggs
London ; Redhill : Lutterworth Press, 1943.

Orchid Island.
Philip Briggs
London ; Redhill : Lutterworth Press, 1947.

The Silent Planet
Philip Briggs
London : Lutterworth Press, 1957.

Three Rovers.
Philip Briggs
London : Lutterworth Press, [1958]

The Turning Point.
Philip Briggs
London : Pickering & Inglis, 1953.

Under the Ensign.
Philip Briggs
London ; Edinburgh : Oliphants, 1957.

Tuesday, 30 June 2015

Raymond Sheppard - Lilliput and Warneford VC

Lilliput March 1957, p.24
Warneford's plane is caught in the exploding Zeppelin's wake


Raymond Sheppard illustrated the story of "Warneford VC" written by John Prebble, in Lilliput March 1957. The story of the flying ace who destroyed a Zeppelin and changed attitudes to this gigantic bombing machine is told in exciting prose.


"There was less than seven hours of darkness on the night of Sunday, June 6 1915, and the moon was in its last quarter. North-west Europe was experiencing a hot summer and the peak temperature in England that noon had been 90 degrees [32.2  degrees Celsius]"


Reginald Warneford portrait 3.jpg
"Reginald Warneford portrait 3". 
Licensed under Public Domain via Wikimedia Commons
.
BACKGROUND
Count von Zeppelin built his first airship in 1894 and this format of travel became very popular before the war as a passenger transport. But the German forces saw the military potential and so began 'total war' in which civilians became causalities for the first time. By 1916 defences in Britain against this aerial attack got better through the tracking of radio signals, the use of searchlights and sending attack aircraft after them. They were extremely sensitive to explosions as they were filled with hydrogen. "Zeppelin raids were called off in 1917, by which time 77 out of the 115 German Zeppelins had been shot down or totally disabled. Raids by heavier than air bombers continued, however. By the end of the war over 1500 British citizens had been killed in air raids." ----http://www.nationalarchives.gov.uk/education/resources/zeppelin-raids/


Lilliput March 1957 cover
Raids on mainland Britain took place, after the approval of the Kaiser on 7 January 1915, After many start/stop decisions, his fear being his relations in Buckingham Palace, the first attacks on the UK went ahead on the nights of  19 and 20 January 1915. The original target was Humberside but due to strong winds the Germans decided to drop their bombs on Great Yarmouth, Sheringham, and King's Lynn. London was bombed for the first time on 31 May 1915.

Lilliput March 1957, p.22
Searchlights spot a Zeppelin above St. Paul's Cathedral
When the illustration above is enlarged it's interesting to see how Sheppard creates the starry sky with light from London blending into the pitch black. Where his contemporary, Frank Bellamy (my other obsession!) would stipple or add overlapping swirls, Sheppard  does an alternative. Paul Liss, who kindly provided the high resolution copy for me to share, describes the artwork as pen and ink and I'm guessing Sheppard laid a black sky down with ink and scraped away the lights in the sky. Also notice the pencilled notes on the above illustration quotes some of Prebble's story:
"The picture of a pencil-slim object, slow moving in the night - licked by searchlights"

Lilliput March 1957, p.23
A Zeppelin crosses the English Channel with a boat in the background

Lilliput March 1957, p.23
Warneford stands by his aircraft
On the night of 6-7 June 1915 Reginald Alexander John (Rex) Warneford, a lieutenant in the Royal Naval Air Service, flying a Morane-Saulnier bi-plane, spotted a Zeppelin returning from the British mainland and fired upon it only to be driven away by return fire. The airship climbed higher and higher not realising the determined Englishman was after them. Warneford pursued for 2 hours to an altitude of 13,000 feet.  Once the inflated craft started its descent Warneford was above it and dropped six bombs from 200 feet above.

Lilliput March 1957, p.24
2 planes attack the Zeppelin

As well as blowing up the highly volatile German airship, the resultant explosion knocked Warneford's plane out  so he had to put down behind enemy lines. He attempted to repair his ship and succeeded in returning to base. Warneford gained two awards for this brave feat: the Victoria Cross and the Knight's Cross of the Légion d’honneur from the French Army Commander in Chief, General Joffre.
Lilliput March 1957, p.25
The Zeppelin catches fire whilst a bi-plane pursues

Sadly Warneford didn't live long enough to revel in the glorious praise he received, as he died, ironically, carrying a passenger when transporting a plane from Buc, in Northern France for delivery at Veurne, Belgium. The tragic collapse of a wing on his second flight in this aircraft killed his passenger an American journalist, Henry Beach Newman,  and led to Warneford's own death shortly after from injuries sustained in the crash from 200 feet.

Lilliput March 1957, p.25
The Zeppelin is pursued by Warneford

The London Gazette of 11 June 1915 states (on page 5635 of Issue 29189):

Admiralty, 10th June, 1915 .
The KING has been graciously pleased to approve of the grant of the Victoria Cross to Flight Sub-Lieutenant Reginald Alexander John Warneford, Royal Naval Air Service, for the conspicuous act of bravery specified below:

For most conspicuous bravery on the 7th June, 1915, when he attacked and, single-handed, completely destroyed a Zeppelin in mid-air. This brilliant achievement was accomplished after chasing the Zeppelin from the coast of Flanders to Ghent, where he succeeded in dropping his bombs on to it from a height of only one or two hundred feet. One of these bombs caused a terrific explosion which set the Zeppelin on fire from end to end, but at the same time overturned his Aeroplane and stopped the engine. In spite of this he succeeded in landing safely in hostile country, and after 15 minutes started his engine and returned to his base without damage. 

Lilliput March 1957, p.26
The LZ 37 Zeppelin's gondola
Lilliput March 1957, p.26
Warneford's Morane-Saulnier

The Daily Mail reported in 2013 how Warneford's name was sadly omitted in a roll call of Victoria Cross heroes due to his "being born abroad" (Darjeeling, India) but the carved memorial stone in Brompton Cemetery, London was seen at his funeral by thousands of mourners and is still there.

Lilliput March 1957, p.27
The Zeppelin explodes over Ghent, Belgium

You can see Warneford's Victoria Cross at the Fleet Air Arm Museum in Yeovil, Somerset, England where from 5 June to 2 January 2016 an exhibition tells Warneford's story.

As can be seen below, Warneford's memorial in Brompton Cemetery has the famous scene carved in the face.

Brompton Cemetery, London 37.JPG
"Brompton Cemetery, London 37" by Edwardx - Own work
Licensed under CC BY-SA 3.0 via Wikimedia Commons.

UPDATE
I let the Fleet Air Arm Museum know about the article and got this back:
My colleague tells me that following pressure on the government department responsible for allocation of the VC memorial paving slabs, Rex Warneford is being honoured with at least one.  His former school, King Edward VI School in Stratford on Avon has one, and we think that Exmouth may have won their fight for one, too.


Many thanks to Paul Liss for his generosity in supplying copies of the original art for four of the pieces above. Explore more of Raymond Sheppard's work on Paul's website at http://www.lissfineart.com/0art99_Raymond+Sheppard.htm  . All other scans are by myself,

Norman Boyd

Monday, 18 May 2015

Raymond Sheppard and Collins Famous Dog Stories

Spike of Swift River and Silver Chief: Dog of the North were both written by Jack O'Brien, and published by Collins for their Famous Dog Stories series. The former was published in the copy below in 1958 and has a cover very similar to "Silver Chief" and "Tan" (more on this later). But Christine Sheppard and I don't think it is by Raymond Sheppard. It has similarities to his work but there is no signature and the dog's shadow does not match the dog!


Cover by unknown artist

List of Collins Seagull Library
The frontispiece, with a group of men watching a fist fight – with a dog in the background, is interestingly Sheppard's signed work where the rest of the book is illustrated but by Kurt Wiese!
Dan's coiled right struck again, and McQuade's head jerked back
According  to an article by David Ouse, "O’Brien continued his life of adventure in the 1930s, [after travelling to Antarctica] using his experience with sled dogs to take several prospecting trips to northern Canada". He wrote in total four books about the next dog which first appeared in 1933.

Silver Chief: Dog of the North, in the same series has no illustrations apart from the cover and the frontispiece which are both drawn by Sheppard!
Silver Chief cover by Raymond Sheppard

With the speed of a flashing shadow the dog leaped
"Jack O’Brien was living in an apartment in New York City when he died of cancer at the age of forty-one on December 6, 1938. Two more novels were discovered with his papers and published, with some reworking, after his death: Silver Chief’s Revenge and Royal Red" - Ouse, Forgotten Duluthian Jack O’Brien, 2013

The third title I own in the "Collins Famous Dog Stories" series is Tan: a wild dog by Thomas C. Hinkle.

Tan: a wild dog Cover

Tan hit the grey wolf like a ton of bricks

Hinkle has quite a fan-following in those readers who like pony and horse stories. He lived from 1876-1949 and you can find a biography and photo on Onanga, Kansas Rootsweb site.

I had an enjoyable few hours browsing images on the Internet from this series and have listed them below, but none appear to be drawn by Sheppard. And interestingly I think the only one I would wonder about would be Spike!

List of Collins Famous Dog Stories
Courtesy of Jane Badger Books
  1. Kenneth Gilbert: Wolf Dog Valley
  2. Thomas Hinkle: Vic, a Dog of the Prairies 
  3. Thomas Hinkle: Tan, a Wild Dog 
  4. Thomas Hinkle: Gray, the Story of a Brave Dog
  5. Jim Kjelgaard: Lion Hound 
  6. Jim Kjelgaard: Outlaw Red
  7. Jim Kjelgaard: Stormy: a Boy and his Dog in a Fight for Justice
  8. Jim Kjelgaard: Wild Trek
  9. Jack O’Brien: Silver Chief, Dog of the North
  10. Jim Kjelgaard: Irish Red
  11. Jack O’Brien: Spike of the Swift River
  12. Lathrop West: Jet, Sled Dog of the North
For more information on Collins Seagull Library take a look here

Sunday, 26 April 2015

Raymond Sheppard and Wide World magazine 1956

Wide World October 1956 pp354-355
The Sadhu's Secret by Peter Hall

By my calculations Raymond Sheppard's work appeared in 17 issues of George Newnes' Wide World magazine between the dates October 1956 and July 1958 (unfortunately Sheppard passed away the following month). He would have been in his element illustrating tales of derring-do from the British Empire and beyond. Wide World was a fairly unique magazine in that it had, what it called a "brotherhood" (people who had similar interests could connect in a fellowship and share experiences such as camping, cycling etc.) and it also encouraged pen-pals in an age when the widespread British Empire was on the verge of shrinking. Interestingly, it told the true stories of people who submitted their own typewritten manuscripts. To read one now, one wonders about the sexism and imperialism but it's easy to be critical when looking back! I have shown the complete double pages for the first story to demonstrate how these images were published.

Wide World October 1956 pp356-357
The Sadhu's Secret by Peter Hall
As stated on the contents page:
“The Editor is willing to consider Articles illustrated with curious or remarkable photographs, and also Stories of Adventure. These must be STRICTLY ORIGINAL AND TRUE IN EVERY DETAIL.” - interesting capitalisation there!

Every month this statement would appear below the unique contents page which took the form of a map showing from where the stories came

Wide World October 1956 Cover
Artist unknown

Wide World October 1956 Contents page
On the basis that the names of several famous authors of the time appeared I guess the submitted ideas had to be re-written sometimes. The Brotherhood had an enamel button badge (brooches for ladies). As stated in the monthly "Wide World Brotherhood" section, many requests came from 'brothers':
"The Wide World Brotherhood is a fraternity of men (and women) of goodwill linked by the common bond of a love of travel and adventure. It has only one rule - a solemn pledge to treat fellow members as brothers and, if need arises, give them any help possible" (p. 387, October 1956)

Wide World Oct 1956 p.389
Example requests from 'brotherhood' members

Wide World began life in 1898 with its Diamond Jubilee being celebrated in 1958 and it ran until December 1965. When one thinks of Wide World covers one is likely to see W. C. Nicolson's handiwork from the post-WWII era. Other interior artists in the period of my interest included Frank Grey, Cyril Holloway, Neville Dear, Edward Osmond, Stuart Tresilian, Edgar Spenceley (who had a very ornate signature) and one of my other favourites Mike Noble. When I interviewed Mike for a book many years ago, he didn't mention this work at all, but he is easy to identify, and the thing that first led me to Wide World was my interest in another artist, Frank Bellamy. The art reproduction appeared very crude and I have never seen any original artwork from these magazines so wonder whether they were thrown in a skip during one of the many Fleet Street takeovers and mergers in the late 1950s / early 1960s. Often photographs would appear alongside illustrations, which were always black and white, even in the 1960s when photography took over all together. To read more about Wide World head over the Greg Ray's excellent article.

Further illustrations from Wide World 1956 by Raymond Sheppard:

Raymond Maufrais was lost in French Guiana in 1950 and this story - told by his father - comes from the son's diary, found by Indians in the jungle. There's lots of information on this story (mostly in French) on the Internet. It was serialised in Wide World from November 1956 to March 1957 and the following shows the first parts drawn by Sheppard.

November 1956:
"Manhunt in Green Hell" [Edgar and Raymond Maufrais]

Summoning his last ounce of strength he managed at last to re-float the precious canoe pp.6-7

"The unseen enemy" [Edgar and Raymond Maufrais]
I found myself on the ground entangled in my mosquito net.
One tree pinned my legs and the other lay across my belly
p.11
Add Meirelles gave a shout and pointed.
We saw the vestiges of a human camp scattered all over the place...a human skull...a second...all that remained of Barbosa's expedition
pp.12-13
December 1956:
"The swallowing swamp" [Edgar and Raymond Maufrais]

With bleeding feet and hands I staggered from rock to rock in the roaring rapids,
Bobby gamely following behind me
pp. 80-81
There was a rending crack and the cross-piece gave way,
plunging me into the river
pp. 84-85
The wind blows like artillery fire in the tops of the palms;
dead branches and whole trees come tumbling down,
bringing other trees with them, pp. 88-89