Raymond Sheppard and Horses

 

"The White Team" was exhibited at
The Royal Academy in 1944 and sold for use as a calendar

It's Christmas and you might have received an annual back in 1955. If it was Swift Annual No. 2 (published in 1955) you might have seen the article I'm focussing on today (as well as some illustrations and a comic strip by Frank Bellamy).  "Horses at work" focussed on the work horses of 1955.

Swift Annual No. 2 [1955], p.22

The article starts by telling us the true story of Gracie the Shire horse and Charlie her driver for a brewery. One day Charlie collapses and Gracie automatically senses something and takes him back to the brewery where his life is saved. Gracie's name was placed on the Animals Roll of Honour and the RSPCA suggested she be retired and enjoy life on the Isle of Wight. 

Swift Annual No. 2 [1955], p.23

If you can read the caption in the above picture you'll see that Shires are so nimble they can work "between narrow rows of cabbages without treading on one!". We then learn there are four breeds of draught horses in Britain: the Shire, the Clydesdale, the Suffolk Punch and the Percheron. The article writer tells us that some milk rounds still have horses and they remember exactly where to stop at each house. What a shame we couldn't continue such a neat way of doing things. The author recommended that  "he will love the apples and carrots you bring him as tit-bits".

Swift Annual No. 2 [1955], p.24

The article ends by explaining that approximately 14,000 pit ponies are still used in the mines. However they are often retired early. Lastly we find out some farm animals love nothing more than frisking freely in a summer's evening.

I have checked Swift Annuals #1, #3 and #4 and they have no illustrations by Sheppard. 

The oil painting at the head of this article was Sheppard's entry in 1944 to the Royal Academy's 176th exhibition. His was # 862 "The White Team" and at the time he was living at 361, Watford Way, Hendon,  N.W.4. Interestingly the contents listing says this was displayed in the "Water Colour and Tempera" section, displayed in the South Rooms. The exhibition ran from Saturday 29 April to Monday 7 August 1944 and cost a shilling to enter - the same price as the catalogue. Whether these dates were stuck too, I don't know - the Second World war may have interfered! There were many familiar names exhibited - thanks to the RA for putting the catalogue online. Sheppard also exhibited in 1946, 1950, 1952 and lastly 1955 to my knowledge.

But let's not end there. Here are some other drawings, paintings and sketches of horses by Raymond Sheppard.

Cart Horse 1935 - note the outline of the head grazing

Cart Horse - labelled "Goldalming 1935"

The nomenclature of a horse

Skeleton... drawn at Natural History Museum

Skull of stallion

You can see the extensive research Raymond Sheppard undertook in his animal studies not just at London Zoo but in Goldaming, Surrey (I presume it's the location and not the horse's name!) and the Natural History Museum. 

Wagon and Horses (in Oil)

Wagon and Horses (Watercolour)

The oil painting I captured from an auction site sold in 1989 - sorry it's not too detailed - but hopefully the gorgeous watercolour makes up for it. Was the latter a colour study for the oil version? I don't know.

Here's a beautiful watercolour from another angle 

Watercolour of a team ploughing

Lastly Sheppard was so talented in many media and the last item I want to show you became a greeting card so it seems appropriate that I say Merry Christmas and a very Happy New Year to you at this point

 

Greeting card

'Scraperboard' version

Uncle Mac's Children's Hour Annuals

 I've written before about The Children's Hour Annual on this blog (and listed what I've found of Uncle Mac's Children's Hour Annual on my other blog) and thought I should cover Uncle Mac's and Raymond Sheppard's contributions in more detail as it's quite interesting.

THE "ORANGE" VERSION

Uncle Mac's Children's Hour Book [1949?]
Unknown artist

The British Library lists only 2 of this title - one 1947 (125 pages) and one 1949 (156 pages) and the 'orange' one - shown above - has a contents page showing the last story starts on page 152 (but it ends on the unnumbered page 157 so a cataloguer might have been lazy or very meticulous!)

Uncle Mac's Children's Hour Book [1949?]
Contents page - Unknown artist

So let's get started on Raymond Sheppard's work in this.

The first piece is the end-papers used at the front and back of the book

Uncle Mac's Children's Hour Book [1949?]
End-papers by Raymond Sheppard

The compilation of the various charactersfrom this album appear on two pages, signed by Sheppard and I love the running bear's expression. On the next piece, the title page, we see the same odd three-headed giant figure as above.

Uncle Mac's Children's Hour Book [1949?]
Title page - Raymond Sheppard

The giant figure is Odds-Bobs-and-Mackerel (whose stories seem to be by George Baker both on the radio and here in the book) who is described as the twenty foot giant with three heads, in order from left to right - Odds, Bobs and then Mackerel!

Uncle Mac's Children's Hour Book [1949?]
Title page - artist unknown

Here's the contents page for others who might want it. We are focusing on two stories in this volume: "Odds-Bobs-and-Mackerel and the Pirates" (pp.69-74) and "The snowman and the scarecrow" (pp.125-126).

p.69 "...and gone off with his bundle
on his shoulder while everyone was asleep"

p.70 "Now he was allowed to tie a red handkerchief round his head,
and stick a cutlass, a dagger, and a pair of pistols in his belt"

p.71 "There was an enormous splash as Odds-Bobs-and-Mackerel
fell into the water, and floundered about, and came gasping to the top."

p.72 ".  lying on deck, one leg each side of the mainmast
his feet up on the foredeck and his shoulders against the poop "

p.73 "...and a wild yell from all three heads at once, tumbled overboard."

p. 74 "Then he turned to Mr. Simpkins, standing there
all loaded with chains and crying like anything."

Although May E. Jenkin ('Elizabeth' as she is known to listeners) is not credited in the Radio Times of
Thursday 19 August 1948, when the pirates story was broadcast at 5pm on the BBC Home Service, we know she is credited as having read aloud the other three episodes of 'OBM' in 1948. The name of George Baker (the author) appears throughout the Radio Times from its earliest times, so unfortunately I can't pin anything down about him (her?).

 The second story "The snowman and the scarecrow" is by Madge Slaney and she is credited (together with Philip Green) as having the story broadcast on 15 March 1949 and it was read by none other than Uncle Mac himself. She also gets a credit earlier for 14 June edition 1948 for a story called "How Smart Black Cow found a Friend". Interestingly there was a Wimbledon player by the same name who played between 1926 and 1949 and on the BBC a violncello player around these dates called William Ernest Slaney. BUT I'm not claiming to know they are tied into our author!

p. 125 "And the old scarecrow said:
“Yes, of course you can. Hop inside.”"

p.125 "The proud snowman said
“No, I won't lend you my warm scarf”"

p.126 "He sat down in front of the old scarecrow and said:
“Please will you let me sit in the pocket of your coat?”"

p.126

I'm so glad that this version of the Uncle Mac's Children's Hour Annual was published with signatures of artists including Sheppard as they are not repeated in the 'yellow' version below. Before I go there, I've listed the artists I've spotted in the 'orange' version in case anyone is looking for their work. Barbara C. Freeman, 'Valerie',  'Wrall', 'H.B.', 'Gala'

THE "YELLOW" VERSION

Uncle Mac's Children's Hour Book "Yellow" version

This image is borrowed from the Internet as mine does not have a dustjacket and I wanted to show it as we may yet find one for the 'orange' version!  If the unknown artist used kids known to him or her as models, I should think some (on the spine) would be 'miffed' as they have been eliminated from the hardback due to there only being a cloth strip in-between the outside covers.

As discussed already dates for these publications are uncertain and why the 'yellow' version is so different is anybody's guess. The cover with the yellow background also has the same contents as above and is credited to Purnell, not Sampson Low as above and the stories and images are exactly the same except....

All images have been traced in outline - eliminating a lot of the subtle shadings - and coloured in a single 'spot' colour! I have reproduced the Sheppard pictures just for completeness but at a lower resolution - to save Blog space!

 

 

 

Raymond Sheppard goes fishing! Part Three

Previously I've covered some books on fishing illustrated by Raymond Sheppard and wish to round it up for now with this one.

TAM TAIN'S TROUT BOOK by Tam Tain. London and Edinburgh: W. & R. Chambers, 1947.

 

Tam Tain's Trout Book - dustjacket

The cover shows a beautiful Sheppard-drawn trout  and the flyleaf describes the book thus:

Let it be clear from the outset that the characters in this book have definite reference to known persons—and one at least is very much alive! Sandy is mentor and boon companion to the author in most of the angling excursions. His greenheart is still plied adroitly; his eye is still keen to observe what is happening on the river, and his agile mind to deduce successful fishing practice from such scrutiny.
TAM TAIN'S TROUT BOOK is for the tyro perhaps, but it is even more for the expert, who may well be forced to review his methods in the light of what is here written down. Anglers may confidently assume that Sandy's often unorthodox lore—on night flies and lures, on monster trout and cannibals, on soleskin and sink-and-draw methods, on camouflage and cover, on lines and landing nets, estuaries and eels—is supported by experience and never by theory alone. He and Tam Tain are anglers first but naturalists a good second—a combination which often fills baskets on ' unlikely ' days !
" The reader is struck by the way in which the experiences recorded time and again make contact with his own. It is like steel hitting flint, mind speaking to mind in the clearest way," writes ALEXANDER WANLESS in his Preface. 

Some of the images below appeared previously on this blog but I've reproduced them as they are a bit clearer presumably because they are an earlier printing from the same artwork.

Endpapers

Frontispiece

 This frontispiece of a trout approaching a recently cast fly appears in the later book "Boy's Book of Angling" on the title page in small size so it was hard to be sure it was Sheppard, but here's the proof it is!

p.23 "A great trout came barging into the shallows after a shoal of minnows (p.24)"

The way Sheppard portrays a trout coming from a deep pool to the shallows where minnows scatter is really interesting.
 

p.65  "In half a minute it had jumped in again and got off (p.67)"

 This jumping trout which has a fisherman's line in its mouth  was also printed in the later book "Boy's Book of Angling"

The endpapers seen above are reprinted again  on page 99 (as well as in the book Running Silver by the same publishers).

p.123 "During the day they gather up water snails (p.124)"

 

p.142 "They fed on trout up to half a pound in weight (p.142)"

I found out Tam Tain wrote a fishing column for the "Green Dispatch" (the Saturday sports edition of the Edinburgh Evening Dispatch) but whether that was his real name, I don't know. But "Tom Tain" is in the Kilsyth Hills, north-east of Glasgow.

 

 Now to round off all this talk of fish we have a few studies and sketches, done by Raymond Sheppard, through the kindness of Christine Sheppard.

Tench studies

Pike

And here are some coloured sketches

Large spotted dogfish

Red Mullet

Catfish

Tench